Shootout at Wadala (2013) is a commercially successful action-crime film based on the 1982 police encounter of Manya Surve, grossing ₹83.70 Crore worldwide. The film, which functions as a prequel to Shootout at Lokhandwala, adapts the book Dongri to Dubai and features dramatized portrayals of real-life underworld figures, resulting in some factual disputes over its accuracy. For more details, visit Times of India.

  • What were the circumstances surrounding the shootout?: What led to the shootout, and what were the actions of the police and the gangsters?
  • Was the encounter a fake encounter?: Was the encounter staged, or was it a genuine attempt by the police to apprehend the gangsters?
  • What are the implications of the incident for policing in India?: What does the incident reveal about the state of policing in India, and what reforms are needed to prevent similar incidents in the future?

2. Legality and Privacy Violations

If an "index of" directory contains leaked evidence from an ongoing or closed court case (the Wadala shootout case ended with convictions in 2016), accessing it could violate Indian Copyright Act (1957) or Information Technology Act (2000) Section 72 (breach of confidentiality). In extreme cases, viewing leaked investigation material is considered obstruction or evidence tampering.

What Happened: According to the police version of events, they received a tip-off that members of the Ravi Pujari gang were planning to meet near the Wadala railway station to finalize an extortion plot targeting a real estate developer. The police laid a trap. An alleged exchange of fire ensued. When the smoke cleared, two gangsters were dead, and three police officers were injured. The police seized two pistols, a revolver, and several live cartridges.

What the index deliberately excludes is the context. There is no entry for Systemic failure of rehabilitation, no cross-reference for Police corruption preceding the event, and no subheading for The family’s subsequent grief. An index compresses a three-dimensional tragedy into a two-dimensional list. By titling our investigation an “index,” we admit that we are looking not for a narrative but for evidence—a set of facts to be used in a legal argument or a film script.