One of the most distinct aspects of Malayalam cinema is the "Middle Cinema" of the 1980s—films that were artistic yet popular, dealing with the trials of the common man.
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Unlike Hindi cinema’s larger-than-life heroes, the Malayalam hero is usually a guy next door who is either an overthinker (a very Keralite trait) or a silent volcano. This reflects a culture that values debate, literature, and quiet defiance over loud bravado. Paper: "Realism and the New Malayalam Cinema"