Mary Coughlan - Red Blues -2002- __exclusive__ -

Mary Coughlan’s Red Blues (2002): A Masterclass in Wrecked Elegance and Raw Confession

In the pantheon of great Irish voices, Mary Coughlan occupies a peculiar, hallowed, and slightly dangerous corner. While others sang of emerald fields and broken hearts with a polite lilt, Coughlan dove headfirst into the gutter, found a diamond, and emerged singing about alcoholism, madness, and desire with a voice that sounds like Billie Holiday after a long night in a Galway pub.

"Strange Fruit": A stark, haunting conclusion to the album, originally a Billie Holiday staple. Ain't No Love In The Heart Of The City Daniel Walsh, Michael Price Blue Light Boogie Jessie Mae Robinson You Can Leave Your Hat On Randy Newman Bill Bourne I'd Rather Go Blind Ellington Jordan, Billy Foster Black Coffee P.F. Webster, J.F. Burke Pull Up To The Bumper K. Loli, D. Manno, L. Dunbar, R. Shakespeare Harry Warren, Mack Gordon She's Got A Way With Men Hank Thompson, R. Lay One For My Baby Harold Arlen, Johnny Mercer Strange Fruit Abel Meeropol (as Lewis Allan) Legacy and Context Mary Coughlan – Red Blues - Discogs Mary Coughlan - Red Blues -2002-

The title itself is a literary paradox. "Red" evokes passion, blood, danger, and the stop light of a crisis. "Blues" refers to the genre of sorrow and resilience, but also the emotional state. Red Blues is the color of a hemorrhage and the sound of recovery. It is an album that bleeds, but refuses to die. Mary Coughlan’s Red Blues (2002): A Masterclass in

Collaborators on the album include some of Ireland’s finest session musicians, who understand the delicate art of playing behind a vocalist who treats every syllable like a death rattle. The guitar work is particularly notable for its use of tremolo and reverb, creating a western-gothic atmosphere that complements Coughlan’s distinct vibrato. Ain't No Love In The Heart Of The