Yes - Close To The Edge -2013- -flac 24-192- [work] Instant
Title: Diving into the Deep End: Why Yes’ ‘Close to the Edge’ in 24-bit/192kHz FLAC is a Revelation
- Original album: Close to the Edge, Yes’s fifth studio album, originally released 13 September 1972; landmark progressive rock record produced by the band and engineered by Eddy Offord.
- 2013 24‑bit/192 kHz FLAC edition: part of a wave of high-resolution reissues across classic-rock catalogs. This edition presents the album sourced from high-resolution transfers of the original master tapes (where available) or from high-quality analog-to-digital transfers done during a remastering process. The goal: improved dynamic range, clarity, and extended high-frequency response compared with earlier 16‑bit/44.1 kHz releases.
- Typical sources/credits: remastering engineers often credited include people like Steven Wilson or the label’s mastering team; verify the specific 2013 edition packaging for exact credits.
Bottom Line: The 2013 24-bit/192kHz FLAC of Close to the Edge is the definitive digital edition. It proves that Yes didn't just write songs; they built cathedrals of sound. If you have the bandwidth and the DAC, buy this file. Throw away your old MP3s. You are about to hear I get up, I get down with a clarity that will give you chills. Yes - Close To The Edge -2013- -FLAC 24-192-
Historical Context Close to the Edge is a cornerstone of progressive rock, structured as a single 18-minute title track plus two shorter pieces. Its dense, multi-tracked production—featuring layered vocals, organ, and tape echo—benefits from high-resolution transfer, which minimizes intermodulation distortion during complex climaxes. Title: Diving into the Deep End: Why Yes’
Explore other Steven Wilson Yes remixes (like The Yes Album or Fragile). Which of these Original album: Close to the Edge, Yes’s fifth
FLAC: The Perfect Vessel
FLAC (Free Lossless Audio Codec) is crucial here. Unlike MP3 or AAC, FLAC compresses the file without removing any data. The 2013 FLAC 24-192 file is a bit-perfect replica of the high-resolution master. For the listener, this means zero generational loss.
Pristine Flat Transfers: The 24-bit/192kHz FLAC format is primarily used for the Original Stereo Mix, which was transferred directly from the original flat master tapes without additional equalization.