D120 -wav- — York Audio Ftwn 212
The York Audio FTWN 212 D120 Cab Pack is a high-resolution impulse response (IR) library based on a 1971 "Silverface" Fender Twin Reverb. This specific cabinet is loaded with original JBL D120F speakers, known for their aluminum dust caps that produce a clear top end with distinct string separation and a slightly scooped, articulate midrange. Pack Contents & Technical Specs
138 Total IRs: Includes 119 single mic captures and 19 of York Audio’s signature multi-mic mixes. Microphone Variety : Captures featuring classics like the Shure SM57 , Sennheiser MD421 , and Royer R-121 , along with high-end options like the Telefunken U47 and Neumann KM 184 Go to product viewer dialog for this item. . York Audio FTWN 212 D120 -WAV-
York Audio FTWN 212 D120 (WAV).
Condenser: Telefunken U47 (used for primary, room, and rear captures) and Neumann KM 184. The York Audio FTWN 212 D120 Cab Pack
2. Key specifications (assumed typical class values — verify against manufacturer data)
- Configuration: 2 × 12" low-mid drivers + high-frequency compression driver (horn-loaded)
- Amplification: Class-D onboard amplification, ~1200–2000 W total (model suffix D120 suggests ~1200 W system rating)
- DSP/processing: Integrated WAV-based preset system (parametric EQ, limiter, crossover, delay, polarity)
- Frequency response: Approx. 45 Hz – 18 kHz (usable)
- SPL (continuous/peak): ~126–132 dB peak (model dependent)
- Dispersion: Asymmetrical or fixed horn pattern (commonly 60° × 40° or 90° × 60°)
- Inputs/outputs: XLR/TRS combo inputs, loop outputs (XLR), possibly AES/USB for preset loading
- Enclosure: Birch or plywood, front grille, pole mount and M10/M8 flying points
- Weight & dimensions: Compact two‑12" cabinet; mid-heavy (approx. 25–40 kg)
Sample Rates: Includes 44.1k, 48k, and 96k files in 24-bit resolution. Configuration: 2 × 12" low-mid drivers + high-frequency
Midrange: Complex and slightly "scooped," offering an articulate response that works well with a wide range of pickups.
Think of The Beatles at Shea Stadium, The Byrds jangling through a Twin, or Stevie Ray Vaughan blending a D120 with an Electro-Voice EVM-12L. The D120 produces a tight, aggressive bass response that doesn't flub out, a midrange that is surprisingly flat, and a top end that rings with crystalline bell-like overtones.